Amazing. Click to enlarge. Via Potrzebie.
During his 40-year career Bass worked for some of Hollywood’s most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his most famous title sequences are the animated paper cut-out of a heroin addict’s arm for Preminger’s The Man with the Golden Arm, the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock’s North by Northwest, and the disjointed text that races together and apart in Psycho.
Bass designed some of the most iconic corporate logos in North America, including the Bell System logo in 1969, as well as AT&T‘s globe logo in 1983 after the breakup of the Bell System. He also designed Continental Airlines‘ 1968 jet stream logo and United Airlines‘ 1974 tulip logo which became some of the most recognized airline industry logos of the era.
Here’s his title sequence for The Man With The Golden Arm, made in 1955:
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Tagged art, cinema, entertainment, film, hitchcock, illustration, kubrick, psycho, saul bass, scorcese, shower scene, storyboards
Walt Disney’s re-imagineering of Martin Scorsese’s classic film “Taxi Driver” follows Mickey Mouse-obsessed Travis Bickle as he looks for love in a rapidly transforming New York City.
A “Fair Use” parody by Bryan Boyce.
You Talkin’ To Me?
1976, New York — Robert De Niro, as Travis Bickle, and director Martin Scorsese, on the set of Taxi Driver. The two had previously collaborated in the 1973 film, Mean Streets. It’s hard to believe that Scorsese originally offered the role of Travis Bickle to Dustin Hoffman, who turned it down. Hoffman recalls, “I remember meeting Martin Scorsese. He had no script and I didn’t even know who he was. I hadn’t seen any of his films and he talked a mile a minute telling me what the movie would be about. I was thinking, ‘What is he talking about?’ I thought the guy was crazy! The film was Taxi Driver.”
Extracted from The Selvedge Yard. Read the rest of the post (and see other pics) here.