Tag Archives: fashion

Beach essentials in China: flip flops, swimming costume, full face mask

Bizarre piece by Dan Levin (with additional reporting by Shi Da) in the New York Times. Pics by Aly Song/Reuters.


QINGDAO, China — It was enough to make a trio of heavily tattooed young men stop their playful splashing and to prompt a small boy to run to his mother in alarm: a woman rising out of the choppy waves of the sea, her head wrapped in a neon-orange ski mask.

As she made her way toward the shore, more people stared. A man floating in a yellow inner tube nudged his female companion, who muttered the question many others must have been asking themselves: “Why is she wearing that?”

“I’m afraid of getting dark,” said the mask-wearer, Yao Wenhua, 58, upon emerging from the seaweed-choked waters of this seaside city in China’s eastern Shandong Province. Eager to show why she sacrificed fashion for function, Ms. Yao, a retired bus driver, peeled the nylon over her forehead to reveal a pale, unwrinkled face.

“A woman should always have fair skin,” she said proudly. “Otherwise people will think you’re a peasant.”

For legions of middle-class Chinese women — and for those who aspire to their ranks — solar protection is practically a fetish, complete with its own gear. This booming industry caters to a culture that prizes a pallid complexion as a traditional sign of feminine beauty unscathed by the indignities of manual labor. There is even an idiom, which women young and old know by heart: “Fair skin conceals a thousand flaws.”

With the pursuit of that age-old aesthetic ideal at odds with the fast-growing interest in beachgoing and other outdoor activities, Chinese women have come up with a variety of ways to reconcile the two. Face masks like Ms. Yao’s have taken this popular beach town by storm. In cities, the summertime parasol is a more familiar accouterment, many adorned with rhinestones, lace or sequins (and sometimes all three). Those who need both hands free are fond of the tinted face shield, the perfect accessory for riding a bike — or welding. The fashion-conscious favor a chiffon scarf draped over the face.

What about arms exposed to the sun’s tanning rays? A search on China’s equivalent of Amazon yielded 20,000 results for “sun protection gloves.” These varied from form-fitting leopard-print sleeves that end at the wrist to arm-length gloves made of black lace.

Meanwhile, drugstore shelves across China bulge with rows of creams and cosmetic masks with names like White Swan and Snow White, promising a natural-looking aristocratic hue.

On a recent afternoon at Qingdao No. 1 Beach, the sand and surf were thronged. Beside the rows of orange beach umbrellas, people had erected dozens of camping tents, ignoring the amplified announcements that prohibited their use. Others made shelters out of multiple umbrellas or just piled on layers of fabric.

South Beach this was not. Some middle-age men chain-smoked in the shallows, their ample bellies bulging over diminutive Speedos. Under the watchful eyes of their parents, naked children built sand castles and relieved themselves in the moats. Older people were enjoying the sand, too, some using it to playfully bury their friends.

Few adults were entirely comfortable swimming in the ocean, judging by the ubiquity of inflatable armbands, inner tubes and rafts. Floating among them, looking like a flock of colorful waterfowl, were a number of women in masks. Some had even donned wet suits for total sun protection.

The masks, a relatively new product made of stretchy fabric commonly used in bathing suits, elicited a range of reactions from beachgoers.

“That is way over the top,” said Sun Li, 43, a gynecologist from Henan Province, when asked about the face masks. But Ms. Sun herself sat under an umbrella wearing a sun hat, sunglasses, a polka-dot surgical mask, a long-sleeve shirt and lace gloves. A shirt was draped over her legs for good measure.

Nearby, Li Benye lay on newspaper, shaded by twin parasols. Despite her commitment to paleness, she found the masks mystifying.

“They’re foreigners, right?” she asked. “Russians, most likely.”

While fair skin is prized across Asia, the women were, in fact, Chinese. The masks not only made them impervious to ultraviolet rays but also self-consciousness.

“Does it look like I care what people think?” bellowed Su Ailing, 57, clad in a red mask, blue goggles and a wetsuit. “The tourists dress skimpy, but we locals know how to protect our skin.”


The masks are a specialty of Qingdao, a German colony before World War I that is home to the Tsingtao Brewery. A few weeks ago, photographs of local women wearing such attire spread widely on the Internet, setting off mockery online but also a run on nearby shops.

“I just had to have one,” said Liu Jia, 32, the whites of her eyes gleaming through the holes of a pink mask, which matched the polka-dot sarong tied around her shoulders. Finding the item, she said, had proved arduous, with many store owners refusing to admit they had masks in stock. “I had to beg and plead,” she said.

The sudden scarcity, it turns out, may not have been a simple case of demand outrunning supply. After the photographs caught the attention of the nation, the local government ordered businesses to stop selling them, according to several shop owners, who said they were told the ban was due to concerns over “quality control.”

One seller, who declined to be identified for fear of angering the authorities, kept her supply of masks hidden under the counter. Only after repeated requests and vows of secrecy did she agree to part with one for 20 renminbi, about $3. “I don’t understand why the government is doing this,” she said, glancing nervously at the front door. “People just don’t want to get tan.”

Reached by phone, the Qingdao Administration for Industry and Commerce denied playing the role of fashion police. “Anybody who wants one is free to buy it in Qingdao,” said a man who gave his name as Director He.

So what explains the skittishness of so many proprietors? “The only reason why people think they shouldn’t be selling masks,” he replied, “is probably because they’re afraid thugs might use them for robbing banks.”


So…Salvador Dali once had a crack at designing swimsuits

Hand made, literally.

Oh that’s very clever. Am suffused with a sort of warm envy and admiration. Wish I could say that I’d thought of this, but it’s actually the work of Lernert & Sander. Wonderfully done.

Bomber jackets

Amazing set of WWII bomber jackets from Flickr, collected by D. Sheley. Just imagine getting home in one piece, and very carefully painting another white bomb on your jacket with your buddies, or the very visual pecking order that you’d get seeing a crew of veterans next to a newbie. Click the image to go the fully linked gallery page.

The REAL Razzle Dazzle

In the early 1900s, round the time that artists started playing with cubism and form, military tacticians started looking at camouflage.

Dazzle or Razzle Dazzle was a style of painting invented by Brit Norman Wilkinson. He used intersecting geometric shapes to break the silhouette of a ship on a horizon. It doesn’t make it invisible, but it does make it harder to see which way it’s going and how fast (which in turn makes it harder to hit).

It also had a great effect on morale – beats hanging around the docks in a big grey boat. If you’re interested, read the full Wikipedia on it here. It’s hard to find, but around that time designers even made Razzle Dazzle dresses – they look crazy.

It’s still used today, not just by the military but also by car manufacturers, designers, all sorts. Now though, there’s a new Dazzle in town. You see, Facebook and other websites use quite sophisticated algorithms to identify people’s faces, but with a spot of hair and make-up, Adam Harvey’s CV Dazzle makes faces much harder for The Man to spot.

CV Dazzle was developed by Adam Harvey as a thesis project at New York University’s Interactive Telecommunication Program in 2010 to explore ways of protecting and interfering with privacy compromising technologies.

And because face detection is the first step in automated facial recognition, CV Dazzle can be used in any environment where automated face recognition systems are in use, such as FaceBook, Google’s Picasa, or Flickr.

Seems like quite a lot of trouble when you can just detag though, and while Bowie can style it, you might look a plonker on the bus. Actually I’m just being mean – it’s a neat idea and comes from an interesting concept. Lots more links on the CVDazzle page.

Danish Strude

STRUDE by TRINE SØNDERGAARD. For three years, Trine Sondergaard has visited the Danish island of Fano to take portraits of local women in traditional costume. On this northern isle, the costumes are somber, with only a dash of colour. These traditional headdresses are called “ostrich” (Strude).


Hats – what and where

Hats, real hats, are cool again. Problem is, lots of people don’t get the etiquette. One spiv at a recent Savile Row gig actually had a Homburg on in the ballroom of the Savoy. This has sent me into a quietly-internalised fury. He didn’t even have the decency to touch the brim of it – let alone take it off – when he was introduced to a lady. And yes I might be old-fashioned, but the point is, if you’re going to bust out in old school threads and act all entitled, then you should also do you homework and wear them right – as in, with the right attitude and an understanding of how, where and why they came about. SO that’s the mini-rant, and it provoked some hatology (a lot of this is from Wikipedia):

1. Homburg
A homburg is a felt hat characterized by a single dent running down the center of the crown and a brim fixed in a tight, upwards curl. It is superficially similar to the trilby and fedora; however, those types of hat have soft, snappable brims and can have various designs pinched into the crown, whereas the shape of a homburg is fixed.

The homburg is typically made from wool or fur felt and has a grosgrain hatband and brim treatment with an optional feather. A variant form is the lord’s hat”, which lacks the edge ribbon, and may, optionally, be pinched.

It was popularized by Edward VII after he visited Bad Homburg in Hesse, Germany, and brought back a hat of this style. Like the trilby or fedora, the homburg was once quite popular and is still available in almost any color, but the most common colors are black, grey, and brown. In Britain a black homburg became widely known in the 1930s as an “Anthony Eden” after the Government Minister of that name.

In formality, the homburg ranks just below the top hat, and above hats such as the bowler or fedora. It is appropriate (often with a topcoat) with a stroller (which is morning dress but with a suit jacket) or with black tie.

2. Trilby
Although also used as a synonym for a short-brimmed fedora in the United Kingdom, the trilby is distinguished by a very narrow brim that is sharply turned up in the back and a short crown, which is pinched in the front and indented into a teardrop shape in the center. The hat’s name derives from the stage adaptation of George du Maurier’s 1894 novel Trilby; a hat of this style was worn in the first London production of the play, and promptly came to be called “a Trilby hat”.

Traditionally it was made from rabbit hair felt, but is now sometimes made from other materials, including tweed, straw, and wool. The hat reached its zenith in the 1960s, when it supplanted the wider brimmed fedora; the steadily lowering roofs of previously taller American automobiles made it impractical to wear a hat with a larger brim and tall crown while driving. It faded from popularity in the 1970s when any type of men’s headwear became obsolete, and men’s fashion instead began focusing on highly maintained hairstyles.

The hat resurged in popularity in the early 2000s, when it was marketed to both men and women in an attempt to capitalize on a retro fashion trend. The hat has remained popular with both sexes into the 2010s, with various manufacturers experimenting with different patterns and emblazoning logos and other designs into the sides of the hat.

The hat has been associated with jazz, ska and soul musicians, as well as members of the indie, rude boy, mod, and 2 Tone subcultures.

A notable wearer of the trilby is Frank Sinatra. Sean Connery wore one in the first five James Bond movies, until changing trends necessitated that the suave character stop wearing a hat, lest he be seen as anachronistic or outdated by young filmgoers.

Bondclothes says: “The example above from Dr. No was dark grey, with the grosgrain band in a slightly lighter grey. In From Russia With Love and Goldfinger he can be seen with a dark brown trilby and goes back to a grey one in Thunderball. Connery can last be seen carrying one in You Only Live Twice. George Lazenby wore a navy blue tribly in On Her Majesty’s Secret Service, but his had a wider grosgrain ribbon. Connery wore his with either suits or blazers whilst Lazenby also wore his with a dinner suit and his wedding attire. Roger Moore brought back the trilby in the 1980s though he never actually wore one, only throwing his on the rack when entering the office.”

3. Ushanka
An ushanka (Literally “ear hat”) is a Russian fur cap with ear flaps that can be tied up to the crown of the cap, or tied at the chin to protect the ears, jaw and lower chin from the cold. The thick dense fur also offers some protection against blunt impacts to the head. While no match for a helmet, it offers protection far superior to that of a typical beanie cap should the wearer fall and hit his or her head against ice or packed snow. The word Ushanka derives from ushi (у́ши), “ears” in Russian.

Of course, it’s not just Russian – hats with flexible earflaps made out of fur have been known in Russia, Germany and Scandinavia for centuries, not to mention ancient Scythians and various nomads of the Central Asia – but has always been seen as THE Soviet headgear. Soviet Russia. Photographs of US President Gerald Ford wearing the cap during a 1974 visit to the Soviet Union (above) were seen as a possible sign of Détente. In 1991, with the fall of the Soviet Union came the first wave of commercially imported Russian winter hats into the West.

4. Flat cap
A Flat Cap, also known as a Sixpence, Scally Cap, Ivy Cap, Irish Cap, Tweed Cap, Salmon Hat, UNION Cap, Dai Cap, Jeff Cap, Windsor Cap, Touring Cap, Driving Cap, or Newspaper Cap, Cheesecutter Cap. It is a rounded men’s cap with a small stiff brim in front. Cloths used to make the cap range from wool, tweed (most common) to cotton driving caps for summer wear, sometimes featuring air vents. Less common materials may include leather. Cord flat caps are also worn in various colors. The inside of the cap is usually lined with silk for comfort and warmth.

The style can be traced back to the 14th century in United Kingdom and parts of Italy, when it was more likely to be called a “bonnet”. A 1571 Act of Parliament to stimulate domestic wool consumption and general trade decreed that on Sundays and holidays, all males over 6 years of age, except for the nobility and persons of degree, were to wear caps of wool manufacture on force of a fine (3/4d (pence) per day). The Bill was not repealed until 1597, though by this time, the flat cap had become firmly entrenched in English psyche as a recognized mark of a non-noble subject; be it a burgher, a tradesman, or apprentice. The style survives as the Tudor bonnet in some styles of academic dress.

Flat caps were almost universally worn in the 19th century by working class men throughout Britain and Ireland, and versions in finer cloth were also considered to be suitable casual countryside wear for upper-class English men (hence the contemporary alternative name golf cap). Flat caps were worn by fashionable young men in the 1920s.

The stereotype of the flat cap as purely “working class” was never correct. They were frequently worn in the country, but not in town, by middle and upper-class males for their practicality. Mather says: “A cloth cap is assumed in folk mythology to represent working class, but it also denotes upper class affecting casualness. So it is undoubtedly classless, and there lies its strength. A toff can be a bit of a chap as well without, as it were, losing face.”

Roll one up and chuck it in your pocket. Keep a few in different colours. Whatever. But don’t wear them back to front. Ever.

5. Fedora
A fedora is usually felt, creased lengthwise down the crown and pinched in the front on both sides. The creasing does not define the hat, however. Fedoras can also be creased with teardrop crowns, diamond crowns, center dents, and others, and the positioning of pinches can vary if they are found at all. Early on, fedoras were sold open crown, meaning they were uncreased, with the owner creating his/her own crease manually. By the 1950s, hat makers started blocking the various creases into the hats when they were made. This is now the standard. The brim goes all the way around the crown and can be left raw edge, finished with a sewn overwelt or underwelt, bound with grosgrain ribbon, or finished with a self-felted cavanagh edge. Traditionally, fedoras have grosgrain hat bands. A trilby is similar to a fedora, but typically has a narrower brim, and the back of the brim is distinctively more sharply upturned as a result.

You wear them back on your head, with the front brim bent a little forward and shading your eyes. They don’t have to be perfect – a little personalisation improves them. A fedora looks good with a trench coat, over a rough suit. Not so much with the whole jeans thing. I have a feeling that Paul McGann wears one in the last scene of Withnail & I.

The term fedora was in use as early as 1891. Originally a women’s fashion into the 20th century, the fedora came into use in about 1919 as a men’s middle-class clothing accessory. Its popularity soared, and eventually it eclipsed the similar-looking Homburg by the 1920s. The name comes from the title of an 1882 play by Victorien Sardou, Fédora, written for Sarah Bernhardt. The play was first performed in the U.S. in 1889. Bernhardt played Princess Fédora, the heroine of the play, and she wore a hat similar to what is now considered a fedora.

6. Bowler
In France they call a bowler hat a “chapeau melon”. I actually don’t think we’re quiiiite ready to have these bad boys back just yet. Bowlers were devised in 1849 by the London hatmakers Thomas and William Bowler to fulfil an order placed by the firm of hatters Lock & Co. of St James’s. Lock & Co. had been commissioned by a client (British soldier and politician Edward Coke, the younger brother of the 2nd Earl of Leicester) to design a close-fitting, low-crowned hat to protect his gamekeepers’ heads from low-hanging branches while on horseback. The keepers had previously worn top hats, which were easily knocked off and damaged.

When Coke arrived in London on 17 December 1849 to collect his hat, he reportedly placed it on the floor and stamped hard on it twice to test its strength; the hat withstood this test and Coke paid 12 shillings for it. In accordance with Lock & Company’s usual practice, the hat was called the “Coke” hat (pronounced “cook”) after the customer who had ordered it. This is most likely why the hat became known as the “Billy Coke” or “Billycock” hat (as well as a “Derby”).

The Bowler hat has also been worn by Quechua and Aymara women in Peru and Bolivia since the 1920s, when it was introduced to Bolivia by British railway workers. Another region that appreciates the Bowler hat is the Niger Delta area of Nigeria. The men of this region use this hat as a fashion accessory along with a walking stick. These fashion accessories which have now become a staple part of the regional costume were introduced by British colonials in the 1900s

So: originally a riding hat for gamekeepers which then went from countryside to town.

Bowler bonus: it was the Bowler and not cowboy hats like the Stetson or sombrero that was the most popular hat in the American West, prompting Lucius Beebe to call it “the hat that won the West.” Both cowboys and railroad workers preferred the hat because it wouldn’t blow off as easily in strong wind, or when sticking one’s head from the window of a speeding train. It was worn by both lawmen and outlaws, including Bat Masterson, Butch Cassidy and Billy the Kid.

7. Boater
A boater (also basher, skimmer, cady, katie, somer, or sennit hat) is a kind of hat associated with sailing and boating.

It is normally made of sennit straw and has a stiff or soft flat crown and brim, typically with a ribbon around the crown, which is often in colours representing a school, rowing crew or similar institution. Boaters were popular as summer headgear in the late 19th century and early 20th century, and were supposedly worn by FBI agents as a sort of unofficial uniform in the pre-war years. Nowadays they are rarely seen except at sailing or rowing events, period theatrical and musical performances (e.g. barbershop music) or as part of old-fashioned school uniform, such as at Harrow School.

Being made of straw, the boater was and is generally regarded as a warm-weather hat. In the days when men all wore hats when out of doors, “Straw Hat Day”, the day when men switched from wearing their winter hats to their summer hats, was seen as a sign of the beginning of summer. The exact date of Straw Hat Day might vary slightly from place to place. For example, in Philadelphia, it was May 15; at the University of Pennsylvania, it was the second Saturday in May.

The boater is a fairly formal hat, equivalent in formality to the Homburg, and so is correctly worn either in its original setting with a blazer, or in the same situations as a Homburg, such as a smart lounge suit, or with black tie. John Jacob Astor IV (above, who built the Astoria and died on the Titanic) was known for wearing such hats.

The Hipster Fashion Cycle

I’d probably be clapping them too…

R Kelly – PISS


How to take a picture like Terry Richardson

From the inimitable Cookie Jar.