The Zero Theorem, Terry Gilliam’s latest, didn’t go down well with The Guardian’s Xan Brooks, who called it “a sagging bag of half-cooked ideas, a dystopian thriller with runaway dysentery, a film that wears its metaphorical trousers around its metaphorical ankles”.
I still want to watch it though. Even if it is a bit half-baked, it’s not as if there’s zero precedent for genius coming out of chaos. Gilliam is ace and I generally find his films improve with time. Interesting cast, too.
I wonder if you remember David Lewandowski’s bizarre naked rubber man animation? Fabulously weird and a must-see for anyone with an ounce of internetishness. Well he’s done a sequel.
“Late for meeting” tells the story of… is about a… well… maybe just watch it and make your own mind up:
Ah! But I promised Lewandowskis plural. Well then you need to visit Josh Lewandowski, who is drawing a pointless diagram for every day of the year. Of his project, he says: “The drawings appear meaningful without actually being helpful. Some might seem to reference real things or show some sort of relationship between things, but this is merely accidental. Enjoy.”
History doesn’t yet relate whether these Lewandowkis are related, nor indeed if they are related to The Brothers Lewandowski (Bruno, Max and David), who used to sell lingerie to aristocrats, notably Her Majesty Queen Maria Therese of Bavaria, Princess Adalbert of Bavaria, Princess Ludwig Ferdinand and Infanta Eulalia of Spain, but it’s nice to think so.
Sixty years ago, the BBC filmed a train journey from London to Brighton, squeezed into just four minutes. Thirty years ago, we did it again. Now we are bringing it up to date, to see how much has changed – and how much is still the same. Here’s all three journeys side by side.
The soundtrack is Star Guitar, by The Chemical Brothers.
Amazing. Click to enlarge. Via Potrzebie.
During his 40-year career Bass worked for some of Hollywood’s most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his most famous title sequences are the animated paper cut-out of a heroin addict’s arm for Preminger’s The Man with the Golden Arm, the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock’s North by Northwest, and the disjointed text that races together and apart in Psycho.
Bass designed some of the most iconic corporate logos in North America, including the Bell System logo in 1969, as well as AT&T‘s globe logo in 1983 after the breakup of the Bell System. He also designed Continental Airlines‘ 1968 jet stream logo and United Airlines‘ 1974 tulip logo which became some of the most recognized airline industry logos of the era.
Here’s his title sequence for The Man With The Golden Arm, made in 1955:
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Tagged art, cinema, entertainment, film, hitchcock, illustration, kubrick, psycho, saul bass, scorcese, shower scene, storyboards
The Nathaniel B. Palmer in the Ross Sea, Antarctica.
Muck diving gets its name from the conditions – sediment and mud and so on. Calm and shallow, but low visibility, but then it’s the muck that makes it interesting, as it’s the perfect habitat for unusual, exotic and juvenile organisms that make their homes in the sediment and “trash” that compose a muck dive. Creatures like colorful nudibranchs, anglerfish, shrimp, blue-ringed octopus, and rare pygmy seahorses.
Lembeh Strait is near Sulawesi in Indonesia.
You’re going to want to view this “large” or full screen if you’ve got the bandwidth.
Khaled Sultani, who made this, says: “Lembeh Strait diving – simply one of the best place in the world for muck diving and macro photo+videography.
Shot with Sony Cx550 with Light & Motion housing; with sola lights.”
The song is “The awakening of a woman” by Cinematic Orchestra.
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Tagged blue ringed octopus, bobbit worm, cuttlefish, diving, film, indonesia, lembeh, muck diving, nature, nudie branch, outdoors, photography, scuba, seahorse, undersea, underwater